Writing music is one thing; writing music to picture is another. In this class I’ll be talking about strategies for thematic development within film structure, handling cue entrances/exits and transitions, techniques for orchestration in and around dialog/sound effects, working with temp tracks, and more. Plus I’ll give you some of[...]
This piece, Crimson Lake, was written as a demo to showcase The Hollywood Sound Timbral Impulse Collection: LASS Edition from Numerical Sound. It uses LA Scoring Strings v2.0 samples, with a touch of harp. For more on these great impulses, click the link above.
For years, I was fortunate to have been asked to write the music for Warner Bros. Pictures’ ShoWest Presentations. These were always grandiose commissions which employed a large orchestra, and required weaving quintessential movie-moods together in pure Hollywood fashion. Often set against a backdrop of some of the most iconic[...]
"The most pretentious thing one can do is quote oneself."Mike Verta
I did this arrangement the day after visiting some friends at ILM who were working on Abrams’ Star Trek. I wondered how they were going to incorporate the original theme into the movie; turns out they didn’t. But I had no idea what the movie was going to be like[...]